Category: General

Long time, no write…

Not much of an update today, other than that I am still thinking of you all and planning to splurge data upon you relatively soon. I’ve just started my new job and now my creative output is no longer work-related, which should hopefully mean a completely new and refreshed writing-ethic. Can’t say too much about the new money-making gig other than that it should, when confidentiality is no longer a majot issue, be the source of many an amusing story. As for the new writing projects; well, now that I am in the United Kingdom and thus able to submit work to Aunty Beeb I’m thinking radio. In fact, I’m writing for radio. Let’s just hope that radio wants me to write for it.

Trah.

Subtitles are my only reading matter…

I have not read a book since mid-August; it’s a medical thing. I had some viral infection and a sleep disorder and was thusly ordered not to do anything other than sleep in my own bed. No using the computer, no reading; just sleep. Yet bed was my reading refuge and now I find that I’m just not reading books at all. A chapter in the morning before I get up, a chapter at night before I turn off the light… None of this.

Work finishes in two weeks; maybe then I will learn the technique that is reading in a chair. It might turn out to be a useful skill.

No Fear (except when he sings the word ‘eternity’)

I’m a pop whore; I’m not afraid to admit to it. Music to me is the opium of the masses. I accept no snobbery (anymore) in re what is good and what isn’t; if the hoi polloi like it then who am I to judge?

Still (there is always a ‘but’ or ‘however’ in these circumstances, isn’t there?) I can still wax lyrical on style versus substance. Take ‘The Rasmus’s’ latest effort ‘No Fear.’ Musically, whilst not inventive, it sounds good… as long as you fail to listen to the lyrics. It bangs and rolls away like a rock anthem, but when you listen to the lead singer it becomes suddenly awkward and angsty. Not in that good way but rather like the Livejournal musings of a fourteen year-old middle class proto-goth.

(I need to write something about the unnecessary proliferation of analogies, especially since I am hoping that it will cure me of writing sentences that have a ‘like’ in the middle of them…)

Perhaps the context, which I am unaware of, saves it; those of you who think that ‘Bohemian Rhapsody’ is overblown obviously have not listened to the album whence it came; when perfectly situated the song climbs even higher in the echelons of ‘This is the good!’ In the same way, that old musichall favourite ‘My Old Dutch’ moves from sacharine to moving when you realise that it is about a couple, married forty years, going to the workhouses, never to see one another again.

Then again, I suspect ‘The Rasmus’ really aren’t in any particularly bad situation and thus the song is simply nu-rock-goth for the sake of blackness; even blacker, being the raison d’etre of the young these days. Perhaps someone they knew died… It’s possible. Then again, perhaps someone they knew had a dream that someone they knew died. Or maybe someone they didn’t know had a dream someone they knew died and they imagined such a situation and wrote a song about it, a song featuring the lyrics ”Operation Darkness.” It probably wasn’t all that important to the sound engineer; I suspect he (or she) rolled their eyes upon hearing the lead singer lay down the vocals.

I like the pretty background noise.

I suspect I should go back to the Twenties for a week or two.

Improbably the last thing to say about the Guide…

So, after umpteen years and the death of Douglas Adams, ‘The Hitchhiker’s Guide to the Galaxy’ has come to its end on the medium it started out in, radio. In one foul swoop the last two books of the canon were dramatised and played back-to-back on Radio 4.

And it was good.

I had reservations about the Teritary Phase but was slightly more hopeful in re the Quandary and Quintessential Phases. I can’t really say why; perhaps it was the feeling that the last two books were so short and depressing that, really, you couldn’t make them any worse, and possibly because I had read that there was a new ending to the ‘Mostly Harmless’ storyline.

Which is what interests me here.

The Quandary Phase basically was ‘So Long and Thanks for all the Fish’ with a few new scenes involving the Vogons being annoyed that the Earth didn’t appear to have stayed destroyed. They fiddled with the plot a little; Rob McKenna ends up being tied into Arthur’s storyline and Ford makes a more weighty appearance than he was granted in the books. It all felt good.

Then we get the Quintessetial Phase. Which has had some massive rennovations if you think of it as an adaptation of ‘Mostly Harmless.’

One of my bugbears in re the Tertiary Phase was the seemingly trite dismissal that the events in the Second Phase ever occurred. Only Zaphod seems to mention it and Trillian immediately claims that it was some kind of mental seizure and that he dreamt the entire thing. This only seemed to serve the interesting fact that a lot of the Secondary Phase never appeared in the books (much of this material was written by John Lloyd and Douglas didn’t seem to like to use other people’s work); this was the easiest way to smooth over the transition. More remarkable is the fact that the first episode of the Tertiary Phase (the episode in which this glossing over takes place) was the only episode actually written by Adams before his death; this was, in the end, his idea.

The Quintessential Phase restores the events of the Secondary Phase, although it does suggest that most of it did, in fact, take place in Zarniwoop’s Personal Universe. Thus we get a lot of Zaphod, the return of Jonathan Pryce (as Zarniwoop Vann Harl) and more Vogons, which finally makes some sense of that final scene in the book.

And we get the new ending.

Apparently there are three endings, but only one was broadcast (the other two will be on the soon-to-be-released recordings). It actually occurs after the final scene with Arthur, Trillian, Tricia, Random and Ford in the book and is generally a much happier conclusion to the story.

I’m just not sure whether it is right.

I like the new ending, but I like it as a final chance to hear some well-loved characters doing their best routines. It makes a kind of sense, as well, and the whole plot of ‘Mostly Harmless’ is rescued by the motivation that justifies this ending (look at me dodging around telling you what the ending is) but I don’t know that Adams would have written it. Indeed, as a colleague tells me, the ending feels a little like a Christmas Special.

Then again, any ending is better than the book’s, isn’t it?

I can safely say that the new radio series are better than the books they are based upon, in the same way that the original radio series are better than the books they produced. So everything ends just as it all began.

I suspect that makes me happy.

Also…

Things to do…

One, write my thoughts on ‘Doctor Who…’

Two, write some notes on ‘Lost…’

Three, finish writing ‘You Must Be…’

Four, make some notes about writing pedagogical comedies…

Five, recover from cold.

Rinse and repeat.